Moleskine Notebooks - A Thorough Review
A good review can be the deciding factor when choosing the right notebook for promoting your brand. Knowing the kind of paper, which writing utensils work best and what materials the cover is made of, can determine the best notebook for your project.
The Well-Appointed Desk does a great job reviewing products thoroughly. They mentioned us in their post, Reconsidering Moleskine, which reviews a variety of Moleskine notebooks. We found it helpful and wanted to share it along with some images of our customization options.
"I’m fully prepared for backlash and vitriol from this post, but, over the years, Moleskine continues to be the measure used — for better or worse — for all other notebooks. First and foremost, Moleskine notebooks are available in a multitude of sizes, configurations and form factors. The overall aesthetics are streamlined and understated. While you might not love them, its hard to truly dislike them. If anything, they are plain. And they are ubiquitous. You can buy them almost anywhere: the airport, the bookstore, the coffeeshop or your favorite boutique.
What really spurred me was a recent comment that suggested that the paper stock used in the Moleskine Cahier, Volant and standard Moleskine Notebooks was different. Well, that gave me something worthy of investigation.
So, I bought one of each at the standard large size (5″x8.25″ or 13x21cm slightly smaller than A5), new, off-the-shelf from my local Barnes & Noble. I wanted to make sure I had recent editions and not ones that had been sitting on my shelves for months or years that may have been manufactured with different paper stock. I purchased all plain notebooks since I like to use guide sheets and Moleskine paper is very conducive to using your own guide sheets as the paper is not super thick. Of course, all the Moleskine notebooks are also available in other colored covers but I went with plain black. The Cahier I couldn’t find a black version so I went with grey as the next best option for neutral.
I also tested the week-on-two-pages planner for 2016, also with the soft cover, which I got through Jenni Bick. I was curious if the process of adding printing created any coating on the paper that might alter ink adhesion in any way so the planner is my monkey wrench in the testing process.
Of course, my expectations are not that the Moleskine notebooks are all of a sudden 100% fountain pen friendly or anything like that but there are many readers who don’t need all-day, everyday fountain pen friendly paper. And there are lots of other notebooks that we often rely on heavily that don’t support fountain pens the way we wish they would like the Baron Fig, Field Notes, or Word Notebooks.
As pen and pencil aficionados, we also love gels, rollerballs, ballpoints, pencils, felt tips, brushes and all sorts of other mark-making tools. And sometimes, we need something that is easy to find in the size that fits our favorite Fauxdori, Roterfaden Taschenbegleiter or whatever other carryall or pocket we need to stuff with paper.
First things first… a spreadsheet of specs!
The first thing I noticed when I put together my spreadsheet is that the Cahier 3-set is a better price value, page-per-page, than the Volant or the soft cover notebook, sales or discounted pricing notwithstanding. Of course, the covers are not as durable but the Cahier sets include the perforated pages in the back and the pocket so there are still some “extras”. I just thought it was interesting to note.
My experience with the large, soft cover plain notebook is pretty much identical to the XL version. The paper behaved as well as I expected and I’m finding that the flexible cover is a good compromise between the classic hard cover Moleskine notebook and a floppy paper cover. The soft leatherette cover actually feels very nice in hand and allows the cover to be folded back or to lay flat as I need it. It also slims the book ever so slightly so its not quite as bulky overall. The soft cover notebook still includes the gusseted pocket in the back, ribbon bookmark and the vertical elastic like the classic hard cover version.
The covers on the Volant feel the most rugged of the three. They are more plasticky feeling than the leatherette quality of the soft cover which feel more supple and upscale. However, I do like that all the pages in the Volant are perforated as an option. If you are looking for a notebook that could be used for lists and leave-behind notes, the Volant offers the easiest flexibility. There are no extras in the Volant — no ribbon bookmarks or pockets in the Volant so its a very stripped down and streamlined notebook. The writing sample on the Volant was absolutely consistent with the plain notebook. My husband voted the Volant his favorite.
The Cahier notebooks are lovely to look at with the exposed stitching and the kraft paper covers. However, the paper in the Cahier did seem to be more inclined to feather the fountain pen inks than in either the Volant or the soft cover or the planner. Even the J. Herbin Emerald of Chivor in my TWSBI EF behaved nicely in all but the Cahier. Now I don’t know if the Cahier paper behavior was a fluke but it even shadowed and bled to the reverse more than the other three. Maybe that’s part of why its a slightly better price value? You get what you pay for?
Finally, for comparison, I also tested the week-on-two-pages 2016 Weekly Planner (with the same soft cover as the plain notebook) to verify that, in printing, the paper quality didn’t change. I used all the same pens with the same inks as I did on the plain paper which I assume was not run through printing press and the results were consistent with the plain notebook and the Volant. The Cahier paper still seems to be a little more absorbent than any of the other papers but generally speaking the printing lines don’t seem to alter the quality of the paper. So if your preference is lined or graph paper, Moleskine notebooks will withstand the same scrutiny that the plain books do.
One of the things I really enjoy about the Moleskine paper is the warm white color and the smoothness of the stock. The warm white color is very inviting and easy on the eyes. I find it less intimidating than a stark, bright white sheet found in other notebooks.
For the writing tests, I left the full-sized images available to view so that you can get as up-close and personal with these photos as you’d like. As you can see, with most everyday, fine line pens the Moleskine paper performed pretty well. Even fine fountain pens were mostly well-behaved. I particularly like how felt tip pens pens behave on Moleskine paper like the Sharpie Pen and Staedtler Triples Fineliners. They sort of grip along and make lovely marks.
Because the Moleskine paper is very smooth, if you do prefer a very fine writing tool, you are unlikely to snag an 0.25mm on the tooth of the paper. Pencils also glide across the paper. Even the finest Pilot Hi-Tec C, Energel Needletip or (my current favorite) Platinum Carbon Pen, skates across the paper. Despite the issues with some fountain pens and fountain pen inks, many writing tools are a joy on Moleskine paper.
Since most of my daily writing and drawing work is done with a 0.5mm or smaller tool, the Moleskine paper is really quite adequate. And all of the plain paper performed the same. What I did notice was that heat or moisture from my hand could affect the paper. Its not heavyweight paper by any means but honestly, neither is Tomoe River. Sure, Tomoe doesn’t feather but its transparent and takes an age to dry so there are trade-off’s with any notebook or paper you may choose.
Reverse of pages.
From the reverse of the pages, you can see some ghosting and show through on the top row which is the planner and the Cahier but not so much as to be distracting when written on the other side. With the plain paper notebooks, I tend to only use one side of the paper anyway. For the planner, I use mostly color coded gel pens for daily use so they don’t show through as much as the testing actually demonstrates. Generally speaking, the reverse of the pen tests were not as bad as I was expecting them to be. Of course, I didn’t try a lot of wide calligraphy fountain pens but even my brush pens behaved with some discretion.
So, in the end, the Cahier paper does seem to be a little thinner, and a little lower quality, than the paper used in the Volant and standard notebooks. I’d be more inclined to recommend the Volant and the soft cover notebooks over the Cahier if you’re going to dip your toe back in the Moleskine pool.
Part of what spurred my interest in all this Moleskine business was when I started using my Moleskine XL for a daily sketchbook late last year. I’ve warmed back up to the possibilities of the Moleskine notebooks. I’ve carried the XL everyday, to and from work, doodled, written, stamped, scribbled, watercolored and basically treated it as the workhorse object it was designed to be treated. To no ill effects. For three months. I’m happy to keep drawing in it. In fact I look forward to continuing to fill the pages and THAT is why we have notebooks. This goes back to the whole reason I keep a notebook — so that I write and draw and make marks.
I think whatever notebook makes you want to make marks, write your story, save your memories, doodle, scrawl or write your grocery list, don’t feel guilty about it. If you love a Moleskine, use it. If you prefer an Italian embossed leather notebook purchased on the Bridge of Sighs, than use that. The best notebook is the one you have with you, no matter which one you choose."
(Via The Well-Appointed Desk)